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Special Presentations |
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“Opera in Cinema” &
“Ballet in Cinema” |
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Playing at: |
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Legends 14 Theatre
–
913-428-2992
1841 Village West Parkway
Kansas City, KS 66111
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Worldgate 9
Theatres –
703-318-9290
13025 Worldgate Drive
Herndon, VA 20170
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Winter / Spring 2010
Series Schedule: |
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| OTELLO, Verdi |
SALZBURG FESTIVAL, Salzburg, Austria |
Thu, Jan 14 at 7pm
Sun, Jan 24 at 1pm |
| DON QUIXOTE,
Minkus |
MARIINSKY
THEATRE, St. Petersburg, Russia |
Thu, Feb 25 at 7pm
Sun, Feb 28 at 1pm |
| CARMEN, Bizet |
TEATRO ALLA SCALA, Milan, Italy |
Thu, Mar 18 at 7pm
Sun, Mar 21 at 1pm |
STAVINSKY & THE BALLETS
RUSSES |
MARIINSKY
THEATRE, St. Petersburg, Russia |
Thu, Mar 25 at 7pm
Sun, Mar 28 at 1pm |
| IL
TROVATORE, Verdi |
GRAN TEATRE
DEL LICEU, Barcelona, Spain |
Thu, Apr 15 at 7pm
Sun, Apr 18 at 1pm |
LIVE: THE ABDUCTION FROM
THE SERAGLIO, Mozart |
GRAN TEATRE
DEL LICEU, Barcelona, Spain |
Wed, Apr 21:
LIVE 2pm EST/ 1pm CST
Replay 8pm EST/ 7pm CST |
| LIVE: SIMON BOCCANEGRA, Verdi |
TEATRO ALLA SCALA, Milan, Italy |
Thurs, Apr 29:
LIVE 2pm EST/ 1pm CST
Replay 8pm EST/ 7pm CST |
| ORFEO, Monteverdi |
TEATRO ALLA SCALA, Milan, Italy |
Thu, May 20 at 7pm
Sun, May 23 at 1pm |
| LIVE: DAS RHEINGOLD, Wagner |
TEATRO ALLA SCALA, Milan, Italy |
Wed, May 26:
LIVE 2pm EST/ 1pm CST
Replay 8pm EST/ 7pm CST |
| FALSTAFF, Verdi |
OPERA ROYAL DE WALLONIE, Liège, Belgium |
Thu, June 17 at 7pm
Sun, June 20 at 1pm |
| LIVE: THE QUEEN OF SPADES, Tchaikovsky |
GRAN TEATRE
DEL LICEU, Barcelona, Spain |
Thu, July 1:
LIVE 2pm EST/ 1pm CST
Replay 8pm EST/ 7pm CST |
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Show information below: |
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Otello, Verdi
PERFORMED AT THE SALZBURG
FESTIVAL, SALZBURG, AUSTRIA |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, Feb 11 at 7:00pm
Sun, Feb 14 at 1:00p
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CAST
Aleksandrs Antonenko (Otello)
Marina Poplavskaya (Desdemona)
Carlos Alvarez (Jago)
Barbara Di Castri (Emilia)
Stephen Costello (Cassio)
Antonello Ceron (Roderigo)
Mikhail Petrenko (Lodovico)
Simone Del Savio (Montano)
PRODUCTION TEAM
Conductor: Riccardo Muti
Director: Stephen Langridge
Sets: George Souglides
Costumes: Emma Ryott
Lights: Giuseppe Di lorio
Sung in Italian with English
subtitles
Running time: 2 hours 37 min
plus one intermission
THE STORY
Otello, the haunting Shakespearian
tale of revenge and jealousy, has captivated audiences for centuries. The
wicked Iago convinves Otello that Desdemona, Otello’s new wife, is
unfaithful. Iago insinuates that she is having an affair with Cassio, who just
received a promotion that Iago wanted for himself. Otello is driven mad with
jealousy, despite the scant evidence of his wife’s alleged infidelity.
The frightened and innocent Desdemona tries in vain to defend herself, but Iago’s
treachery takes its final toll: Otello strangles his wife in her bedchamber.
Horrified, Iago’s wife (and Desdemona’s handmaiden) Emilia reveals Iago’s scheme, Iago
escapes, but Otello, devastated by his own actions, kills himself, while his
lips kiss the pure Desdemona one final time.
http://www.emergingpictures.com/otello.htm
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Don
Quixote, Minkus
PERFORMED AT MARIINSKY THEATRE, ST. PETERSBURG, RUSSIA |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, Feb 25 at 7:00pm
Sun, Feb 28 at 1:00pm
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CAST
Vladimir Ponomarev (Don Quixote)
Anton Lukovkin (Sancho Panza)
Igor Petrov (Lorenzo)
Olesia Novikova (Kitri)
Leonid Sarafanov (Basil)
Vladimir Lepeev (Gamache)
Andrei Merkuriev (Espada)
Yekaterina Kondaurova (Street dancer)
Yana Selina, Yana Serebriakova (Flower-sellers)
Alina Somova (Queen of the Dryads)
Yevgenia Obraztsova (Cupid)
Galina Rakhmanova (Mercedes)
Alexander Efremov (The tavern owner)
Polina Rassadina, Nikolai Zubkovsky (Gypsy dance)
Ti Yon Riu (Oriental dance)
Elena Bazhenova, Karen Ioannisyan (Fandango)
Olga Esina (Variation)
PRODUCTION
Music: Ludwig Minkus
Conductor: Pavel Bubelnikov
Choreographer: Alexander Gorsky after
Marius Petipa
Scenographer: Alexander Golovin & Konstantin Korovin
Costume Designer: Konstantin Korovin
Lighting: Igor Suvorov
Running time: 110 minutes
THE STORY
Don Quixote is a ballet known
for its colorful characters that portray their personalities and emotions
through distinct choreography. Petipa's version of Don Quixote, to the
music of Minkus, is the standard ballet version of the tale and features the
popular virtuoso pas de deux that has been performed countless times as a
concert piece.
http://www.emergingpictures.com/don_quixote.htm
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Carmen, Bizet
PERFORMED AT TEATRO ALLA SCALA, MILAN, ITALY |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, March 18 at
7:00pm
Sun, March 21 at 1:00pm
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CAST
Jonas Kaufmann (Don José)
Erwin Schrott (Escamillo)
Anita Rachvelishvili (Carmen)
Adriana Damato (Micaëla)
PRODUCTION TEAM
Conductor: Daniel Barenboim
Staging & Costumes: Emma Dante
Sets: Richard Peduzzi
Lights: Dominique Bruguière
Running time: 3 hours plus one
intermission
THE STORY
Carmen is the story of fatal
attraction between Carmen, the hot-blooded gypsy, and Don José, the
upstanding corporal in the Spanish army who’s already engaged to another
woman. Don José begins to fall for Carmen as she sings the famous song
of seduction, the Habañera. When he helps her avoid arrest, he is thrown
in prison. Upon his release, he seeks her out; as a result, his life continues
to unravel. Upon hearing his mother is dying, he heads home, vowing to Carmen
that they will be together again soon. When he returns, he discovers Carmen in
a rapturous affair with Escamillo, a dashing toreador. Don José, now
bitter and angry, stabs her to death just as Escamillo wins the fight in the
bullring. As the spectators leave the arena, Don José throws himself on
her dead body and confesses his guilt.
http://www.emergingpictures.com/carmen.htm
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Stravinsky
& The Ballets Russes:
Firebird, The Wedding and The Rite of
Spring
PERFORMED AT MARIINSKY THEATRE, ST. PETERSBURG, RUSSIA |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, March 25 at
7:00pm
Sun, March 28 at 1:00pm
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CHOREOGRAPHED BY
Michel Fokine
Bronislava Nijinska
Vaslav Nijinsky
STARRING
Alexandra Iosifidi
Yekaterina Kondaurova
Running time: 110 minutes
THE STORY
The Firebird
Young prince Ivan finds himself in
the terrible realm of the Kashchei, the immortal, who imprisons women and
transforms men into stone. Not realizing the danger, Ivan wanders through the
bewitched garden of Kashchei where he meets the dazzling Firebird. Struck by the Firebird’s beauty,
Ivan chases and eventually captures her. She tries to escape and begs for her freedom, promising to help Ivan in
exchange for it. That evening Ivan encounters 13 maidens and falls passionately
in love with one of them. The next morning, when the maidens, who are
Kashchei’s prisoners, are forced by magic to return to the castle, Ivan
follows them. Ivan is captured by Kashchei's servants, but the Firebird, true
to it’s pledge, intervenes & bewitches them. She then tells Ivan the secret of
Kashchei’s immortality: his spirit, in the form of an egg. Ivan destroys
it, killing Kashchei, and all celebrate their freedom.
The Wedding: A
ballet in four scenes
The ballet goes through the entire
story of a Russian peasant wedding. The 1st scene the bride prepares
for her coming marriage. We then see the bridegroom asking his family to give
the marriage their blessing. The 3rd scene depicts the bride’s
departure from her family, and finally the ballet culminates in the actual
wedding feast.
The Rite of Spring
The ballet is a series of
episodes depicting a wild pagan spring ritual. The elders are offering a young
girl as a sacrifice to the God of Spring, in order to gain his benevolence.
Divided in two parts: Adoration of the Earth and The Sacrifice.
http://www.operaincinema.com/stravinsky_ballets_russes.htm
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Il
Trovatore, Verdi
PERFORMED AT GRAN TEATRE DEL
LICEU, BARCELONA, SPAIN |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, April 15 at
7:00pm
Sun, April 18 at 1:00pm
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CAST
Fiorenza Cedolins (Leonora)
Marco Berti (Manrico)
Luciana D'Intino (Azucena)
Roberto Frontali (Conte Di Luna)
Paata Burchuladze (Fernando)
PRODUCTION TEAM
Conductor: Marco Armiliato
Stage Director: Gilbert Deflo
Sets & Costumes: William Orlandi
Lights: Joël Hourbeigt
Running time: 2 hours 45 min
plus one intermission
THE STORY
Count Di Luna and Manrico, the
wandering minstrel or “Il Trovatore” of the title, are rivals for
Lady Leonora’s love. When Leonora declares her love for Manrico, Count Di
Luna and Manrico duel. Although Manrico has the chance to kill Di Luna, a
mysterious force from within him allows Di Luna to live. That force, revealed
later in the opera, is a fraternal bond: Manrico and Di Luna are actually
brothers, separated at birth by a gypsy who placed a curse on Di Luna. The
gypsy was burnt at the stake for her witchcraft. As revenge, her daughter
Azucena attempted to throw Di Luna’s brother into the fire, but
accidentally threw her own baby instead. She took the brother, Manrico, and raised him as her
own son! Azucena’s identity is discovered by Di Luna, and he orders her
to be burnt at the stake, just like her mother. Leonora and Manrico postpone
their elopement so that Manrico can save his adoptive mother, but he is captured
by Di Luna. Di Luna agrees to let them live—but only if Leonora will give
herself over. Leonora agrees, but secretly swallows poison. Leonora bursts into
the prison cell to tell Manrico that he has been saved. He realizes the
terrible price of his freedom and denounces her, but very quickly the poison
takes effect, and Leonora dies in his arms. Angry at losing his ransomed bride,
Di Luna orders Manrico executed immediately. Azucena sees him killed and cries
out that her mother has been avenged: Di Luna has murdered his own brother!
http://www.emergingpictures.com/il_trovatore.htm
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LIVE Performance
The
Abduction from the Seraglio, Mozart
(Die
Entführung aus dem Serail)
PERFORMED AT GRAN TEATRE DEL
LICEU, BARCELONA, SPAIN |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Wednesday, April 21:
LIVE 2pm
EST/ 1pm CST
Replay 8pm EST/ 7pm CST
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CAST
Diana Damrau
(Constanze)
Olga Peretyatko (Blondchen)
Christoph Strehl (Belmonte)
Norbert Ernst (Pedrillo)
Franz-Josef Selig (Osmin)
Christoph Quest (Selim)
PRODUCTION TEAM
Conductor: Ivor Bolton
Stage Director: Christof Loy
Stage & costume design: Herbert Murauer
Lighting Design: Olaf Winter
Running time: 3hrs 20 min plus intermission(s)
THE STORY
Die Entführung aus dem Serail (The Escape from the Seraglio) is a
Singspiel by Wolfgang Amadeus Mozart. First performed at the Burgtheater in
Vienna in 1782, it was composed under the patronage of Emperor Josef II as part of his plan to create a
German national opera, though in fact it follows the pattern of Italian opera
buffa and French opéra-comique. The quality of the music - both vocal and instrumental - did however signify the renewal of
the genre. In terms of plot it is a turquerie, a type of work that
conjured up the exotic image of the Near East that was fashionable at the time,
while providing a vehicle for social and political criticism. Konstanze, a
noble Spanish lady, her English servant Blonde, and Pedrillo, the servant of
Konstanze's fiancé Belmonte, have been abducted by Moorish pirates and
handed over to the Pasha Selim, who imprisons them in his seraglio. Selim soon
falls in love with Konstanze, while Osmin, their coarse, cruel jailer, attempts
to woo Blonde. Belmonte manages to enter the palace in a bid to rescue them.
But just as the two couples are about to flee, they are captured by Selim, who
is the counter-figure of the modern, enlightened monarch, but decides,
nevertheless, to pardon and release them.
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LIVE Performance
Simon
Boccanegra, Verdi
PERFORMED AT TEATRO ALLA SCALA, MILAN, ITALY |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thursday, April 29:
LIVE 2pm
EST/ 1pm CST
Replay 8pm EST/ 7pm CST
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CAST
Plácido Domingo (Simon Boccanegra)
Ferruccio Furlanetto (Jacopo Fiesco)
Amelia (Adriana Damato)
Fabio Sartori (Gabriele Adorno)
Massimo Cavalletti (Paolo Albiani)
Ernesto Panariello (Pietro)
PRODUCTION TEAM
Conductor: Daniel Barenboim
Staging: Federico Tiezzi
Sets: Maurizio Balò
Costumes: Giovanna Buzzi
Lights: AJ Weissbard
Running time: 2 hrs 50 min
plus 1 intermission
THE STORY
Simon Boccanegra is a story
about politics and love—a deadly combination. Simon Boccanegra is the
Doge of Genoa, but twenty-five years earlier he fathered a child with Marie,
the daughter of his then-political rival Fiesco. Marie died while still young,
and their daughter disappeared. Ever since Boccanegra came to power, Fiesco has
lived under an assumed name out in the country with his adopted daughter
Amelia. Amelia is actually Boccanegra’s daughter, and thus Fiesco’s
granddaughter, but at first neither man knows it. Fiesco attempts to give her
in marriage to man she doesn’t love, but once Boccanegra find out her
true identity, he lobbies to have her wed to her true love, Gabriele, even
though Gabriele has been secretly plotting against the Doge with the exiled
Fiesco. Gabriele and Fiesco still do not know Amelia’s true identity, so
they continue with their plans to kill the Doge. Boccanegra is tricked into
drinking poison by one of Fiesco’s friends, but shortly before he dies,
Amelia’s identity is revealed to Gabriele, who begs the Doge for
forgiveness. The benevolent Boccanegra forgives him and blesses the marriage of
Gabriele and Amelia. Soon, Fiesco also finds out Amelia’s lineage, and
when the Doge dies, everyone—even his former rivals—mourn the
passing of the great man.
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L’Orfeo, Monteverdi
PERFORMED AT TEATRO ALLA SCALA |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, May 20 at 7:00pm
Sun, May 23 at 1:00pm
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CAST
Georg Nigl (Orpheus)
Roberta Invernizzi (Music, Eurydice)
Sara Mingardo (Messenger, Hope)
Luca Dordolo (First shepherd)
Leonardo Cortellazzi (Second shepherd)
Martin Oro (Third shepherd)
Luigi De Donato (Charon)
Raffaella Milanesi (Proserpine)
Giovanni Battista Parodi (Pluto)
Furio Zanasi (Apollo)
PRODUCTION TEAM
Conductor: Rinaldo Alessandrini
Staging, Sets & Lights:
Robert Wilson
Director's Collaborator:
Giuseppe Frigeni
Costumes: Jacques Reynaud
Sung in Italian with English
subtitles
Running time: 1 hours 53 min
plus one intermission
THE STORY: An Opera in 5 acts.
The Prologue begins with a narrator,
The Music, as she explains the power of music illustrated by the story of
Orfeo. Orfeo and Euridice are celebrating their wedding day. While recalling
his past, Orfeo receives the news that Euridice has been bitten by a snake and
died. Determined to bring her back, he goes to Hades to bargain with the King
of Shadow. Hope accompanies Orfeo to the entrance. Orfeo charms Caronte, the
guardian of Hades, by using his lyre and the beauty of his singing. As Caronte
falls asleep, Orfeo plunges into the depths. Proserpina, the queen of Hades, is
moved by Orfeo’s music, and persuades Plutone, King of Hades, to let
Euridice go. Plutone agrees on one condition: Orfeo shall not look back as
Euridice follows him back to Earth. Orfeo begins his ascent from Hades; his
doubts, however, urge him to look at Euridice and she dies. Orfeo is consumed
by grief. Apollo, his father, takes him to the heavens, where he will be able
to cherish the image of Euridice forever.
http://www.emergingpictures.com/orfeo.htm
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LIVE Performance
Das
Rheingold, Wagner
PERFORMED AT TEATRO ALLA SCALA, MILAN, ITALY |

Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Wednesday, May 26:
LIVE 2pm
EST/ 1pm CST
Replay 8pm EST/ 7pm CST
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CAST
René Pape (Wotan)
Stephan Rügamer (Loge)
Johannes Martin Kraenzle (Alberich)
Wolfgang Ablinger-Sperracke (Mime)
Hanno Müller-Brachmann (Fasolt)
Timo Riihonen (Fafner)
Katharina Kammerloher (Fricka)
Anna Samuil (Freia)
Anna Larsson (Erda)
PRODUCTION TEAM
Music and Libretto: Richard Wagner
Conductor: Daniel Barenboim
Staging and Sets: Guy Cassiers
Sets and Lights: Enrico Bagnoli
Costumes: Tim Van Steenbergen
Sung in German with English subtitles
Running time: 2 hours 47 minutes (no intermission)
THE STORY
Das Rheingold begins
Wagner’s four-opera epic, Der Ring, or “The Ring
Cycle,” as it commonly called in the US. Alberich, a dwarf from
Nibelheim, steals the gold from the Rheinmaidens fashioning it into a ring
bearing limitless power. Wotan, supreme ruler of the gods, has cut a deal with
the Giants, Fasolt and Fafner; they will build Valhalla in exchange for his
wife’s sister, Freia. The Giants hear of Alberich’s ring and demand
it as payment in lieu of Freia, who they take as a hostage. Wotan and Loge (god
of fire) journey to Nibelheim to find the ring, where they discover that
Alberich has enslaved the Nibelung dwarves and acquired a magic helmet, rendering
him even more powerful. Wotan and Loge trick Alberich, who is forced to
surrender his gold , the helmet, and the ring. Distraught, Alberich lays a
curse on the ring; whoever does not possess it will desire it, and whoever
possesses it will receive unhappiness and death. Fasolt and Fafner return with
Freia, demanding payment. Erda, the earth goddess warns Wotan to surrender the
cursed ring for his own good. The Giants are left to fight over the ring and
Fafner kills Fasolt. As the gods prepare to enter their new Kingdom, Loge
considers destroying them for what they have wrongly acquired while the
Rheinmaidens mourn the loss of their gold.
http://www.emergingpictures.com/rheingold.htm
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Falstaff, Verdi
PERFORMED AT OPÉRA ROYAL DE WALLONIE, LIÈGE, BELGIUM |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thurs, June 17 at 7:00pm
Sun, June 20 at 1:00pm
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CAST
Ruggero Raimondi (Sir John Falstaff)
Luca Salsi (Ford)
Virginia Tola (Mrs Alice Ford)
Sabina Puértolas (Nannetta)
Tiberius Simu (Fenton)
Cinzia De Mola (Mistress Quickly)
Liliana Mattei (Mrs. Meg Page)
Gregory Bonfatti (Dr. Caius)
Pietro Picone (Bardolfo)
Luciano Montanaro (Pistola)
PRODUCTION TEAM
Conductor: Paolo Arrivabeni
Director, Choreographer, Sets, Costumes and Lights: Stefano Poda
Chorus Master: Marcel Seminara
Sung in Italian with English
subtitles
Running time: 2 hours 50 min
plus one intermission
THE STORY
Falstaff, the bumbling, portly knight
who has a habit of stealing the show in various Shakespeare plays, takes center
stage in Verdi’s final opera. Two wealthy matrons, Alice Ford and Meg
Page, receive identical love notes from Falstaff. The offended (and slightly
amused) women decide to have their revenge by pulling some pranks on Falstaff,
with the help of Nannetta (Alice’s daughter) and Dame Quickly. Alice
feigns attraction to the oaf, but when her husband returns home, angered after
hearing word that his wife was having a romantic rendezvous, Alice convinces
Falstaff to hide in a tub of dirty laundry which she tosses out the window and
into the muddy river. Falstaff plays the fool again when he agrees to meet
Alice in the park at midnight. The entire ensemble dresses up as goblins and
fairies and tricks him into believing that the park is haunted. Only after he
begs for mercy do they reveal their true identities. In the confusion, Mr. Ford
accidentally blesses the marriage of his daughter Nannetta to her true love, of
which he had previously disapproved. Both Mr. Ford and Falstaff are in good
humor about being tricked, though, and the opera ends with everyone celebrating
the mirthful aspects of life.
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LIVE Performance
The
Queen of Spades, Tchaikovsky
PERFORMED AT GRAN TEATRE DEL
LICEU, BARCELONA, SPAIN |
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Theatres:
Worldgate 9 Theatre
Legends 14 Theatre
Showings:
Thursday, July 1:
LIVE 2pm
EST/ 1pm CST
Replay 8pm EST/ 7pm CST
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CAST
Emily Magee
(Lisa)
Ben Heppner (Gherman)
Lado Ataneli (Tomsky/Zlatogor)
Ludovic
Tézier (Prince Yeletsky)
Ewa
Podlés (The Countess)
Elena
Zaremba (Pauline)
Francisco
Vas (Chekalinsky)
Alberto
Feria (Tsurin)
Mihail
Vekua (Chaplitsky)
Kurt
Gysen (Narumov)
Stefania
Toczyska (The
Governess)
Claudia
Schneider (Masha)
Jon
Plazaola (The
Master of Ceremonies)
Michelle
Marie Cook (Prilepa)
PRODUCTION TEAM
Conductor: Michael Boder
Stage
Director: Gilbert Deflo
Sets
&Costume Design: William Orlandi
Lighting
Design: Albert Faura
Choreography:
Nadejda Loujine
Running time: 3hrs 45min plus 2 intermissions
THE STORY
Gherman, a soldier, falls in love
with the wealthy Lisa, who is already engaged to Prince Yeletsky. Lisa
confesses to Gherman that she is actually in love with him and not her
betrothed. Gherman’s friends tell him that Lisa’s grandmother knows
a card trick that makes her win every time, thus her nickname, “The Queen
of Spades.” Gherman becomes obsessed with learning the secret, convinced
that once he discovered it, it would solve all his problems. When Gherman tries
to intimidate the old woman into revealing her secret, she dies of fright. Lisa
sends Gherman away, distraught.
Alone in a wintery cabin, the ghost
of Lisa’s grandmother appears to Gherman and reveals the card trick.
Gherman rushes to meet Lisa by the banks of a frozen river, but it soon becomes
apparent that he has gone mad. After he abandons her, Lisa realizes that all
hope is lost, and throws herself into the icy river. Gherman goes to the army
barracks and joins a game of cards, using the secret that the apparition of the
Queen of Spades taught him. It was a trick, however, and Gherman ends up losing
everything—all his money, and the love of his life. He kills himself,
asking for forgiveness.
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